Selected works and performances

2023

• FOSSIL Interactive Sound Installation and performance with1 ton of limestone, collaboration with programmer Fredrik Olofsson, and geologist Jan Mikaelsson, commissioned by Museum of Öland.
• CRASH RIDE6 – The Installation. A performance Installation with 70 broken cymbals and electronics with and by sound art and noise duo SISTERLOOPS, commissioned by 3e Våningen, for GICBA, (Göteborg International Biennal for Contemporary Arts)
• Broken Cymbal Project Germany tour with duo SISTERLOOPS
• Asymmetrier Electroacoustic composition for the butoh performance Assymetrier- en tredelad koreografi, commissioned by KAI-EN Butoh Company. Performed at Fylkingen, Stockholm.
• Dansar Arkivet Sound design and electroacoustic composition for dancer Lina Palmgren, commissioned by Swedish Arts Performance Agency, premiered at Scenkonstmuseet (Swedish Museum for Performing Arts).
• From this comes Electroacoustic composition for dancer Valentina Parravinchi, produced by DOCH, (Stockholm University of the Arts) performed at WELD, Stockholm.
• Shapes of Sounds Workshop project in ´drawing sounds´ with visual artist Jenny Soep at Swedish Museum for Performing Arts during the exhibition- Elektronmusikstudion- Art, Science and Politics.

2022

• 2022
• Opacities Composition for glass and crystal, commissioned by percussionist Magdalena Meitzner (work in progress)
• FOSSIL Composition for limestone, sandstone and electronics, premiered at Göteborg Art and Sounds Festival, also performed as acoustic version at the solo Festival, Uppsala.
• See-through Sound design and live-compositioncommissioned by dancer Adriana Cubides. Performed at WELD.
• Mariachi Trash performance by alias SOLOVKINA, trumpet and electronics. Performed at Konsthall C for the 10 years anniversary of Peruvian feminist collective Hysterix
• Radio Two CD release of the duo Radio Two with trumpeter Susana Santos Silva on Italian label SUPERPANG.
• VOICE NOISE Performance by SISTERLOOPS at Elbphilharmonie in Hamburg at the Festival Immaterielle Künst.
• Shapes of Sounds School workshop project in ´drawing sounds ´with visual artist Jenny Soep for Region Gotland and Vallentuna Municipality.

2021

• CRASH RIDE6 A performative sound work for60 broken cymbals and electronics, by SISTERLOOPS, performed at Fylkingen and Maschinenhaus, Essen, Germany.
• Stone Breath Performance with music, butoh dance and film, based on stone and places along the northern coast of Öland. Collaboration project with KAI-EN Butoh Company and artist and filmmaker Björn Ola Lind. Performed at Fylkingen and as a performance installation at Galleri Alaoui, Öland.
• Öländsk Svit Solo performance of the suite Öländsk Svit at the Nordic Music Festival, Faroe Islands.
• See-through Composition and sound design for performance and film commissioned by dancer Adriana Cubides, performed at DOCH. (Stockholm University of the Arts)
• Wild (Pussy) Cat Voice Noise performance by SISTERLOOPS at online festival Audioblast, curated by APO33, Nantes.
• Shapes of Sounds School tour produced by Scenkonst Sörmland.

2020

• CRASH RIDE Extended Composition for 18 amplified cymbals, by SISTERLOOPS, premiered at Fylkingen.
• Mарш For snare drum and Max Msp. In collaboration with the percussionist Ulrik Nilsson, premiered at Fylkingen.
• Lineage Composition for the dance performance Lineage, commissioned by KAI-EN Butoh Company.
• Uninterupted Dialogue Sounddesign for the art film Uninterupted Dialogue by artist Hiroko Tsuchimoto, project for Public Art Agency Sweden.

2019

• Am I the only one? Composition for wind orchestra. Commissioned by Stockholm Wind Ensemble. Premiered at Musikaliska.
• Three Nails, Four wounds Composition commissioned by the artist/writer Hector Meinhof. Book and CD released on Land Press, London.
• Öländsk Suite Composition for limestone and sandstone. Commissioned by Samtida Musik, premiered by the percussion  duo Hidden Mother.
• SISTERLOOPS tours in Germany with performances at Museum Künstpalats (Düsseldorf), Ausland, Sherer (Berlin), dESTRUKTIVA (Mülheim der Ruhr) Künstlerhaus (Dortmund) Ebertplatz Sommerfest, (Cologne)

 2018

• RADIO TWO – Chapter Two Composition and research project with the trumpeter Susana Santos Silva, funded by the Swedish Arts Grants Committee.
• Les Pyrenées and Slate Compositions for slate and electronics, composed at residency at CAMP, Aulus les Bains, France. Performed at Kühlspot, Berlin and Galleri Index, Stockholm.
• Shapes of Sounds Workshop Development of workshop in drawing sounds, together with the visual artist Jenny Soep. Funded by Musikverket.
• Circles Audiovisual performance by SHAPES OF SOUNDS at the Festival Svensk Musikvår and at Gallery Detroit.
• Gå hem nu för fan! Composition for voice and electronics. Premiered by SISTERLOOPS at the Festival Svensk Musikvår.

2017

• A Dreamstate Coreography Composition commissioned by choreographer Anna Lord. Performed at Fylkingen.
• International Cultural Exchange Russia. Performances with SISTERLOOPS at NCCA (National Centre for Contemporary Art) Moscow, and Freud Dream Museum, St Petersburg. Funded by Swedish Arts Grants Committee.
• Canon for Mimer Site specific composition for trumpet and electronics.Performed at Norbergfestival.
• Brutalnesse Composition for Norrbotten Big Band. Performed with VJ Raquel Meyers at the Festivalen New Directions, Piteå.
• CRASH RIDE for cymbals and knives, performed by SISTERLOOPS. Commissioned by and performed at Husby Konsthall.
• International Cultural Exchange Brazil Collaborations and concerts with musicians and composers in Rio de Janeiro, Sao Paolo and Bello Horizonte. Funded by Swedish Arts Grants Committee.

2016

• I require you to listen to me know – a google trash poem Composition for Google Translate and live-electronics.Performed at Liebig12, Berlin.
• NoiseMyTxt, Composition for typewriter, commodore 64 and live-electronics. Performed by BRUTASLISTAS at HeK, (Haus der elektronischen Künste) Basel.
• Harmon Composition for trumpet and live-electronics.Performed at Atalante, production by GEIGER.

2015

• Walking Praise Composition commissioned by the Great Learning Orchestra within the project ”Software for the people.”
• Machete al Machote Composition for trumpet and live-electronics. Performed by BRUTASLISTAS (with visual artist Raquel Meyers) at Festival Vindöga.
• RADIO TWO Composition and improvisation project with trumpeter Susana Santos Silva, performed at Fylkingen.
• ZUNGENSTICH Collaboration and exchange project with visual artists and musicians from Berlin. Performed in Berlin at Ma Thilda and Labetto Lab.

• Double Tounge Composition for trumpet and live-electronics. Performed at Kontrapunkt, Malmö,
• Open – close Composition for marimba and Finnish kantele. Commissioned by percussionist Tomomi Fukagawa och Maija Kauhanen. Performed at Sonorium, Tokyo, production by Tonmakeriet.

2014

• Hell Them Bells Composition for 4jingle bells and live-electronics, 8 channels.Performed at Fylkingen.
• Camelen Composition for the documentary film Camelen by director PeÅ Holmkvist.
• Wild (Pussy) Cat, Hospis Composition for voice and live-electronics. Performed by SISTERLOOPS at Titwrench Festival.

2013

• Häst Häst Häst Composition and sound design for the theatre play by director Suzanne Osten, produced by Unga Klara.
• Vagabunda EAM Composition of field recordings from Mexico. Composed at residency at VICC, Visby.
• Who speaks and who makes noise? Compostition for fixed media, trumpet and live-electronics. Collaboration with stage artist Marie Gavois.

2012

• Aum Composition for Stockholm Saxophone quartet, fixed media and percussion. Commissioned by for Stockholm Saxophone quartet. Performed in Reaktorhallen, in a consert production with Tonmakeriet.
• Flygräddare Composition and sound design for the theatre play by director Suzanne Osten, produced by Riksteatern.